Friday, August 20, 2004

Definitions and other stuff

Here are the definitions of Tropaion and Kontokion. I really do not understand everything in the definitions. All I know is that when I pray the Hours I sing them. (Well, if they are in Tone 8 I sing them. That is the only tone I know. O, the tones are melodies.)

Troparion (pl. troparia) a term of Constantinopolitan origin indicating a refrain (and thus the equivalent of the Palestinian hypakoe and the Roman antiphon), in the form of a poetic composition, as opposed to a Scriptural text. Originally, troparia served as responses to psalm verses sung by the chanter, i. e., as antiphons. This basic function still holds today, but the term is commonly used with reference to the following three types of troparia: (1) dismissal troparia (apolytikia, otpustitel'ny), i. e., resurrectional troparia, troparia of the feast, troparia of the day -- hymns that keynote the main theme of the occasion being celebrated on a given day, first sung before the dismissal at Vespers and then repeated throughout the services of the day -- at Matins, Compline, Hours, and at the Divine Liturgy after the little entrance; (2) troparia evlogitaria -- sets of several t., each preceded by the refrain "Blessed art Thou, O Lord," sung at ResurrectionalMatins after the 17th Kathisma and at the Matins of Holy Saturday; and (3) troparia of the kanon -- brief verses that follow the heirmos in each ode of the kanon. The verses read at the Matins of Holy Saturday with the verses of Psalm 118 [119] are also called torparia.

Kontakion (kondakion) (pl. kontakia) in its original form, a hymn that consisted of a long homiletic series of stanzas called oikoi, usually numbering 24 (the length of the Greek alphabet). Each stanza ended with the same refrain. The greater number of the most ancient kontakia are ascribed to St. Romanus the Melodist. In modern usage, for each liturgical occasion only the first stanza and a single oikos remain, sung after the sixth ode of the kanon at Matins, and occasionally after the third as well; in this abridged form the kontokion is also sung at the Divine Liturgy after the appointed troparia.

I emailed Bryan and it was bounced back.

I'll email you the John Garvey article.


No comments: